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	<title>Sybilla Patrizia &#124; Filmmaker and Photographer</title>
	<link>https://sybillapatrizia.com</link>
	<description>Sybilla Patrizia &#124; Filmmaker and Photographer</description>
	<pubDate>Mon, 04 May 2026 12:32:07 +0000</pubDate>
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		<title>Sybilla Patrizia</title>
				
		<link>https://sybillapatrizia.com/Sybilla-Patrizia</link>

		<pubDate>Tue, 26 Jan 2016 16:08:15 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

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&#38;nbsp;


















































	
	
	
	

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		<title>PLASTIC LOVE! — documentary</title>
				
		<link>https://sybillapatrizia.com/PLASTIC-LOVE-documentary</link>

		<pubDate>Wed, 02 Dec 2020 00:06:40 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

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	PLASTIC LOVE! 

plasticlovefilm.com
World Premiere, Tokyo International Film Festival 2026

Tallinn Black Nights Film Festival 2026
	A film by Sybilla Patrizia &#38;amp; Clementine Nuttall
84min DocumentaryOriginal Language: Japanese, EnglishSubtitles: EnglishPerhaps no other country has turned its relationship to materials into an artform like Japan. Yet it is now among the world's largest users of single-use plastic. Meditative yet urgent, PLASTIC LOVE! meets the waste workers and artisans closest to our everyday materials to ask whether our love for wrapping holds the key to escaping a future full of waste… プラスチック・ラブ！ドキュメンタリー映画予想上映時間: 84分言語: 日本語、英語字幕:英語


素材との向き合い方をここまで美意識に昇華した国はない。しかし現在の日本は、世界有数の使い捨てプラスチック大国でもある。瞑想的でありながら切迫感にあふれる本作は、身近な素材と向き合う廃棄物処理業者や職人たちを訪ね、包むことへの愛情が、廃棄にまみれた未来を逃れる鍵となり得るのかを問いかける。


	FEATURING:Akira SakanoKomichi Ikeda
Mamoru Kamata
Yuzuru Oikawa &#38;amp; Taisuke Sato
Etsuko Yamada
Kazumi Murose
Tomomi Yamaguchi
Yuji Sakai
Tohru Tsuji
Michinao Suenaga
Masaru Okamoto
Ryuji Horiai 
FEATURING：坂野 晶池田 こみち鎌田 衛及川 弦 &#38;amp; 佐藤 大輔山田 悦子室瀬 和美山口 智美酒井 裕司辻 徹末永 通尚岡本 勝堀合 竜治


	Poster
	&#60;img width="2827" height="4000" width_o="2827" height_o="4000" data-src="https://freight.cargo.site/t/original/i/441d0feab5c5cd976a12b1c7fb7ded1fe359d6ce760ada1861be8c66f382359c/Plastic-Love_JIS-B1-size_728x1030mm-3b-RGB-online-2.jpg" data-mid="253851857" border="0"  src="https://freight.cargo.site/w/1000/i/441d0feab5c5cd976a12b1c7fb7ded1fe359d6ce760ada1861be8c66f382359c/Plastic-Love_JIS-B1-size_728x1030mm-3b-RGB-online-2.jpg" /&#62;
	

	
	
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		<title>A COLOR I NAMED BLUE — documentary</title>
				
		<link>https://sybillapatrizia.com/A-COLOR-I-NAMED-BLUE-documentary</link>

		<pubDate>Sun, 22 Sep 2024 14:25:51 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/A-COLOR-I-NAMED-BLUE-documentary</guid>

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	色をこえて青を見る　A color I named blueDocumentary Short
16min
Screenings:

Barbican London, UKDOC NYC, USA&#38;nbsp; (Special Mention)
Sheffield DocFest, UK (Nominated)
Palm Springs ShortFest, USA (Nominated)
International Film Festival Camerimage, Poland
SCAD Savannah Film Festival, USASapporo International Short Film Festival&#38;nbsp; (Best National Short Award), Japan
Short Shorts Film Festival&#38;amp;Asia (Nominated), Japan
DC/DOX, USA
Nippon Connection, Germany
Tokyo Documentary Film Festival, Japan
Houston Cinema Arts Festival, USADialogues Documentary Film Festival, Milwaukee/ USA
Minikino Film Week Bali, Indonesia
Ridgeway Film Festival, USA
India Doc Fest, India
Aichi International Women’s Film Festival, JapanFoça International Archaeology and Cultural Heritage Documentary Film Festival, Turkey

	Driven by the memory of a deep shade of blue he cannot forget, Watanabe dedicates his life to the pursuit of recreating Japan’s most perfect shade of indigo. For years he tries to understand the unique alchemy of factors that will bring forth his ideal hue until fate introduces him to Kato, a young artisan who is colorblind. Together, they uncover a new way to see blue beyond just color.渡邉は忘れることのできない深い藍色の記憶に突き動かされ、日本で最も完璧 な藍色を生み出すため人生を捧げてきた。理想の青を実現するために必要な要 素を何年も探求し続けていた彼は、ある日、色覚多様性を持つ若き職人・加藤と 運命的に出会う。二人は共に、色彩という概念を超えた、新たな「青」の見方 を見つけようと歩み始める。


	
Featuring:Kenta WatanabeShinya Kato
Director&#38;amp;Producer: Sybilla PatriziaProducer: Mai HosomuraExecutive Producer: Mai Ushikubo, Reina SengaCinematography: Andrzej RudzEditor: Mariko IdeAssociate Producer: Hidekazu TsutsuiGaffer: Yosuke ShimadaSound Mixing: Kentaro KimuraColorist: James Clayton Daniels
Poster Design: Jan Wojda

	
	
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	Film Stills:
	
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/57115bc22fce03702ed6e2499b29192bccb4b5e88c9d9e39447d9a2a6aeed179/A-Color-I-Named-Blue-Laurel-4-3-3.jpg" data-mid="241055526" border="0"  src="https://freight.cargo.site/w/1000/i/57115bc22fce03702ed6e2499b29192bccb4b5e88c9d9e39447d9a2a6aeed179/A-Color-I-Named-Blue-Laurel-4-3-3.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/6fb0bbe36cb67e48c61153af9966e58d0d815ab1d27d3573ba7163f22113dc27/Ao-No-Katachi_Still7.jpg" data-mid="218475596" border="0"  src="https://freight.cargo.site/w/1000/i/6fb0bbe36cb67e48c61153af9966e58d0d815ab1d27d3573ba7163f22113dc27/Ao-No-Katachi_Still7.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9c9d66c1ec7ca0c49cd548983105ae526390845031f6e23a68d011c7a90058fc/Ao-No-Katachi_Still1.jpg" data-mid="218475590" border="0"  src="https://freight.cargo.site/w/1000/i/9c9d66c1ec7ca0c49cd548983105ae526390845031f6e23a68d011c7a90058fc/Ao-No-Katachi_Still1.jpg" /&#62;
&#60;img width="1481" height="1111" width_o="1481" height_o="1111" data-src="https://freight.cargo.site/t/original/i/5fc69480b9e90ff27e32ea9b2f5bc0d8c64a7f03b4979c74788fbcd16ccabcb8/IMG_20230830_0022-2.jpg" data-mid="218475658" border="0"  src="https://freight.cargo.site/w/1000/i/5fc69480b9e90ff27e32ea9b2f5bc0d8c64a7f03b4979c74788fbcd16ccabcb8/IMG_20230830_0022-2.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/14772b63a2ff7da03e114099323ddc3b4abdbb612c128bf8bca416760a37d73c/Ao-No-Katachi_Still5.jpg" data-mid="218475594" border="0"  src="https://freight.cargo.site/w/1000/i/14772b63a2ff7da03e114099323ddc3b4abdbb612c128bf8bca416760a37d73c/Ao-No-Katachi_Still5.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4863b0d0b71ec19ff9ddb89e85dc638cbd1ca6fd524b124ea4389c79a79c3d92/Ao-No-Katachi_Still2.jpg" data-mid="218475591" border="0"  src="https://freight.cargo.site/w/1000/i/4863b0d0b71ec19ff9ddb89e85dc638cbd1ca6fd524b124ea4389c79a79c3d92/Ao-No-Katachi_Still2.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45dfb32b6cc68b76e4120bbad68ae2319e10c2573c2aa7cfa814836742e0cb77/Ao-No-Katachi_Still21.jpg" data-mid="218475609" border="0"  src="https://freight.cargo.site/w/1000/i/45dfb32b6cc68b76e4120bbad68ae2319e10c2573c2aa7cfa814836742e0cb77/Ao-No-Katachi_Still21.jpg" /&#62;
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&#60;img width="1420" height="1065" width_o="1420" height_o="1065" data-src="https://freight.cargo.site/t/original/i/10868e64510e825a6935ea443dd45d61d439086ece0886703d44f4efb2dd90d9/Ao-No-Katachi_Still34.jpg" data-mid="218475623" border="0"  src="https://freight.cargo.site/w/1000/i/10868e64510e825a6935ea443dd45d61d439086ece0886703d44f4efb2dd90d9/Ao-No-Katachi_Still34.jpg" /&#62;
&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/682af5d6cb6cc5f7e0d63814a77c28eaa5052c58c563d786407b9e4c0f5c666e/Ao-No-Katachi_Still26.jpg" data-mid="218475614" border="0"  src="https://freight.cargo.site/w/1000/i/682af5d6cb6cc5f7e0d63814a77c28eaa5052c58c563d786407b9e4c0f5c666e/Ao-No-Katachi_Still26.jpg" /&#62;
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&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/916c34946a9d37d8e533d711052d264e4b735d43d076835bd95d67da0b9225a6/Ao-No-Katachi_Still35.jpg" data-mid="218475624" border="0"  src="https://freight.cargo.site/w/1000/i/916c34946a9d37d8e533d711052d264e4b735d43d076835bd95d67da0b9225a6/Ao-No-Katachi_Still35.jpg" /&#62;
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&#60;img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d4ae2bea5a181aea3dd4c62efc0dc6795e36bc602810351b9d650e74090a2e27/Ao-No-Katachi_Still3.jpg" data-mid="218475592" border="0"  src="https://freight.cargo.site/w/1000/i/d4ae2bea5a181aea3dd4c62efc0dc6795e36bc602810351b9d650e74090a2e27/Ao-No-Katachi_Still3.jpg" /&#62;
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		<title>SUKI - Kurashiki</title>
				
		<link>https://sybillapatrizia.com/SUKI-Kurashiki</link>

		<pubDate>Fri, 10 Apr 2026 08:46:39 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/SUKI-Kurashiki</guid>

		<description>
	
	
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/d9e81da90e8da6ba21d7c759b0386814dac697ab0225fecc4e724bc590ea507e/Cover-Option-2.png" data-mid="247834983" border="0"  src="https://freight.cargo.site/w/1000/i/d9e81da90e8da6ba21d7c759b0386814dac697ab0225fecc4e724bc590ea507e/Cover-Option-2.png" /&#62;
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&#60;img width="2500" height="3333" width_o="2500" height_o="3333" data-src="https://freight.cargo.site/t/original/i/092ddbf34f62122448bd12f1af7e6662e5a76c6993881ad0610d9094239b96ed/SUKI-Kurashiki-57.jpg" data-mid="247838375" border="0"  src="https://freight.cargo.site/w/1000/i/092ddbf34f62122448bd12f1af7e6662e5a76c6993881ad0610d9094239b96ed/SUKI-Kurashiki-57.jpg" /&#62;
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	SUKI — KurashikiPhoto series for SUKI a project by Marui.&#38;nbsp;

	SUKI is an ongoing curated platform exploring the people, landscapes, and evolving cultural traditions that shape communities across Japan. Launched in 2026, the project brings together filmmakers, writers, and artists to tell stories that move beyond surface narratives — focusing instead on the lived realities of places shaped by shifting values, climate change, and the pressures of over-tourism.

As Creative Director in the initial project phase, I developed the visual and narrative direction of the platform and created the first photographic series, shot primarily on film. The work reflects an interest in slower, more attentive forms of storytelling — observing the textures of daily life and the relationships between people, materials, and place.

The inaugural story takes place in Kurashiki, a historic merchant town with a deep legacy of craft and manufacturing. Through encounters with artisans and local curators, the series explores what it means to sustain tradition today — not as a fixed idea, but as something continuously shaped through care, labor, and community.

SUKI will continue to grow over the coming years as a platform for collaborative storytelling across Japan.
	Photographs by Sybilla PatriziaText by Leiya Salis




</description>
		
	</item>
		
		
	<item>
		<title>SUKI - The Magnificent World of Kurashiki Glass</title>
				
		<link>https://sybillapatrizia.com/SUKI-The-Magnificent-World-of-Kurashiki-Glass</link>

		<pubDate>Mon, 04 May 2026 12:32:07 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/SUKI-The-Magnificent-World-of-Kurashiki-Glass</guid>

		<description>
	
	
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&#60;img width="1787" height="2383" width_o="1787" height_o="2383" data-src="https://freight.cargo.site/t/original/i/e1b1cf7e6d90972c9574d2ab684c5406f4a8965b6c221bb85879a0657266ad6a/_DSF9213.jpg" data-mid="247840663" border="0"  src="https://freight.cargo.site/w/1000/i/e1b1cf7e6d90972c9574d2ab684c5406f4a8965b6c221bb85879a0657266ad6a/_DSF9213.jpg" /&#62;
&#60;img width="2500" height="3333" width_o="2500" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ae7a6046997736670a7ef737e7fadf77fd45a9142309297b845e40327ec0d87c/_DSF9129.jpg" data-mid="247840649" border="0"  src="https://freight.cargo.site/w/1000/i/ae7a6046997736670a7ef737e7fadf77fd45a9142309297b845e40327ec0d87c/_DSF9129.jpg" /&#62;
&#60;img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/d6efc14a974459d231934383f1408faad03a3827677804fef1ac9fb7e330563f/_DSF9223.jpg" data-mid="247840664" border="0"  src="https://freight.cargo.site/w/1000/i/d6efc14a974459d231934383f1408faad03a3827677804fef1ac9fb7e330563f/_DSF9223.jpg" /&#62;
&#60;img width="2500" height="3333" width_o="2500" height_o="3333" data-src="https://freight.cargo.site/t/original/i/b46047e264e6dc2666db6cde24512d5b4eb5769ebbaa14b1a1d2b2b14ceb2b35/_DSF9266.jpg" data-mid="247840667" border="0"  src="https://freight.cargo.site/w/1000/i/b46047e264e6dc2666db6cde24512d5b4eb5769ebbaa14b1a1d2b2b14ceb2b35/_DSF9266.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/d081cd1516596cc143e97d5c1bd1e11b8dcfdfc09f3ca39625a4c40cd847594b/Kodani-san-shas-spent-decades-working-with-glass-in-Kurashiki--building-on-a-practice-passed-down.jpg" data-mid="247840563" border="0"  src="https://freight.cargo.site/w/1000/i/d081cd1516596cc143e97d5c1bd1e11b8dcfdfc09f3ca39625a4c40cd847594b/Kodani-san-shas-spent-decades-working-with-glass-in-Kurashiki--building-on-a-practice-passed-down.jpg" /&#62;

	


	SUKI — Kodani-sanPhoto series for SUKI a project by Marui.&#38;nbsp;

	























Inside the intense heat of the kiln, Kodani-san works mostly at night, when the air cools and the glass becomes more responsive to his breath. Each object emerges in minutes, shaped by movements refined over a lifetime.

As the second generation of Kurashiki Glass, he continues a lineage that is both deeply rooted and increasingly fragile. Without a successor, the future of his practice remains uncertain — a quiet reminder that tradition is not guaranteed, but must be carried forward, or allowed to disappear.
	Photographs by Sybilla Patrizia




</description>
		
	</item>
		
		
	<item>
		<title>NOWNESS — Artist Residency: Ching Ya Lin</title>
				
		<link>https://sybillapatrizia.com/NOWNESS-Artist-Residency-Ching-Ya-Lin</link>

		<pubDate>Thu, 23 Apr 2026 01:42:15 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/NOWNESS-Artist-Residency-Ching-Ya-Lin</guid>

		<description>
	
	
	


	NOWNESS — Artist Residency: Ching Ya Lin6 min, 2026︎︎︎Link

	Set within the quiet rhythms of Nara, Japan, this film traces Ching Ya Lin’s immersion into hyōgu—the traditional mounting of works on paper and silk—and the philosophy of the kakejiku hanging scroll. As she lives and works in close dialogue with her surroundings, she encounters sumi ink artist Christine Flint Sato and visits some of the last remaining ink-making studios in the region.
	Featuring &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Ching Ya Lin&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Christine Flint Sato&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Director・Producer: Sybilla Patrizia
DoP: Shun Kitagawa
1st AC: Makoto Kuchimura
Gaffer: Tetsuya Kusu
Editor: Holly Thomson
Edit Supervision: Nanako Kawasaki
Colorist: Torn StudiosThank you: Toma House, Kinkoen, Boku-Undo







	Film Stills:
	
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/7f954eff7ce7ea689ce7a1f4b23c23d79a3b667fb54be4bcbb2c0758e53d1d76/Toma-Artist-Residency2.jpg" data-mid="247523844" border="0"  src="https://freight.cargo.site/w/1000/i/7f954eff7ce7ea689ce7a1f4b23c23d79a3b667fb54be4bcbb2c0758e53d1d76/Toma-Artist-Residency2.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/c21022d138130a97b3f6e2bab4831451a8e7ea8029736b4b1b1051e247695419/Toma-Artist-Residency4.jpg" data-mid="247523846" border="0"  src="https://freight.cargo.site/w/1000/i/c21022d138130a97b3f6e2bab4831451a8e7ea8029736b4b1b1051e247695419/Toma-Artist-Residency4.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/8af190d9571031ef3aa558755f13c754e49839cd67f5d1eec3bc5d2196bdeb38/Toma-Artist-Residency5.jpg" data-mid="247523847" border="0"  src="https://freight.cargo.site/w/1000/i/8af190d9571031ef3aa558755f13c754e49839cd67f5d1eec3bc5d2196bdeb38/Toma-Artist-Residency5.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/bd89e7b008fef83987732b6dbe9115d55e65b6dc11c7c3e9ec348244d01b739b/Toma-Artist-Residency10.jpg" data-mid="247523852" border="0"  src="https://freight.cargo.site/w/1000/i/bd89e7b008fef83987732b6dbe9115d55e65b6dc11c7c3e9ec348244d01b739b/Toma-Artist-Residency10.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/500fc7456b4f6b329edbc518a7c1cdd73ebcf3d7e0d72fcad2f81a598bb2c575/Toma-Artist-Residency11.jpg" data-mid="247523853" border="0"  src="https://freight.cargo.site/w/1000/i/500fc7456b4f6b329edbc518a7c1cdd73ebcf3d7e0d72fcad2f81a598bb2c575/Toma-Artist-Residency11.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/36d67f9b831231494b1d1b33699a07ab5d2cb7030c8840e6e8e27954d0ba249a/Toma-Artist-Residency13.jpg" data-mid="247523855" border="0"  src="https://freight.cargo.site/w/1000/i/36d67f9b831231494b1d1b33699a07ab5d2cb7030c8840e6e8e27954d0ba249a/Toma-Artist-Residency13.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/05776e6e5180a65ef2f18dfc83b3589ef88eecc74900c896de5157ea3662317c/Toma-Artist-Residency16.jpg" data-mid="247523858" border="0"  src="https://freight.cargo.site/w/1000/i/05776e6e5180a65ef2f18dfc83b3589ef88eecc74900c896de5157ea3662317c/Toma-Artist-Residency16.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/26ae8952557f16598620ed030ec66d1ff15473ac55f772356365df93e1dc3ea2/Toma-Artist-Residency19.jpg" data-mid="247523861" border="0"  src="https://freight.cargo.site/w/1000/i/26ae8952557f16598620ed030ec66d1ff15473ac55f772356365df93e1dc3ea2/Toma-Artist-Residency19.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/c34956005d51544535ab631631882842a59eec1b33a9eedee0b629908514b7e9/Toma-Artist-Residency20.jpg" data-mid="247523862" border="0"  src="https://freight.cargo.site/w/1000/i/c34956005d51544535ab631631882842a59eec1b33a9eedee0b629908514b7e9/Toma-Artist-Residency20.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/3bcfee7436c865cb445821de74dfb4846c25666195d82f2d2af243bb9cc1cffe/Toma-Artist-Residency22.jpg" data-mid="247523864" border="0"  src="https://freight.cargo.site/w/1000/i/3bcfee7436c865cb445821de74dfb4846c25666195d82f2d2af243bb9cc1cffe/Toma-Artist-Residency22.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/c0529ee046646b65b868ab9510952334a4be9ab84ab0d833273a98f08a7de583/Toma-Artist-Residency23.jpg" data-mid="247523865" border="0"  src="https://freight.cargo.site/w/1000/i/c0529ee046646b65b868ab9510952334a4be9ab84ab0d833273a98f08a7de583/Toma-Artist-Residency23.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/bbbb438138bc9ca36c0a44eb88fce5af5c9a753a4a51a368017c26b00a411ae8/Toma-Artist-Residency25.jpg" data-mid="247523867" border="0"  src="https://freight.cargo.site/w/1000/i/bbbb438138bc9ca36c0a44eb88fce5af5c9a753a4a51a368017c26b00a411ae8/Toma-Artist-Residency25.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/087739137d78b766a286371178bd898c6a8a9211e42461307bc3d573dee5ebd1/Toma-Artist-Residency30.jpg" data-mid="247523872" border="0"  src="https://freight.cargo.site/w/1000/i/087739137d78b766a286371178bd898c6a8a9211e42461307bc3d573dee5ebd1/Toma-Artist-Residency30.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/a05c5d603084d6e55ada6c8dc00f25a9165e0e029d9be4ef5b91e320332b78f3/Toma-Artist-Residency34.jpg" data-mid="247523876" border="0"  src="https://freight.cargo.site/w/1000/i/a05c5d603084d6e55ada6c8dc00f25a9165e0e029d9be4ef5b91e320332b78f3/Toma-Artist-Residency34.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/4cf96c48d1bff01ab170881bf2d130cbb55f206ac42f306fa173499c27d58a89/Toma-Artist-Residency35.jpg" data-mid="247523877" border="0"  src="https://freight.cargo.site/w/1000/i/4cf96c48d1bff01ab170881bf2d130cbb55f206ac42f306fa173499c27d58a89/Toma-Artist-Residency35.jpg" /&#62;
&#60;img width="3821" height="2866" width_o="3821" height_o="2866" data-src="https://freight.cargo.site/t/original/i/3253f71fb63ed70f4710119ecc345929a508a0279e4f51e9628a4a3e4448184a/Toma-Artist-Residency37.jpg" data-mid="247523879" border="0"  src="https://freight.cargo.site/w/1000/i/3253f71fb63ed70f4710119ecc345929a508a0279e4f51e9628a4a3e4448184a/Toma-Artist-Residency37.jpg" /&#62;

	
</description>
		
	</item>
		
		
	<item>
		<title>IKEA — Hemma</title>
				
		<link>https://sybillapatrizia.com/IKEA-Hemma</link>

		<pubDate>Fri, 10 Apr 2026 08:28:25 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/IKEA-Hemma</guid>

		<description>
	
	
	


	IKEA — Hemma
45“ brand film
	Hemma follows two-Michelin-star Chef Noboru Arai as he moves between the precision of his restaurant Hommage and the intimacy of his home kitchen in Tokyo.

Inviting us into his private space, the film explores a shift in perspective—where cooking is no longer about perfection or pressure, but about care, comfort, and the quiet beauty of everyday meals.

Through preparing a humble dish of egg on rice, Chef Arai reconnects with the emotional core of food—reflecting on how the simplest meals can often hold the deepest meaning.

	Client: IKEAAgency: Wieden+Kennedy
Production: AOI Pro. Inc.

Director: Sybilla Patrizia
Assistant Director: Yu Inose
Producer: Daisuke Misu, Kosuke Sakai
PM: Hayato Takenaka, Kotaro Hayashi
DoP: Chris Rudz
1st AC: Takao Baba
Production Designer: Taiyo Nobata
Gaffer: Yosuke Shimada

Editor: Sachi Sasaki
Music: Seiji Champollion
Colorist: Mai Kawamura
Sound Design: Kentaro KimuraFor Wieden+Kennedy Tokyo:Creative Director: Max PilwatCopywriter: Kensuke Tsugaru, Kiran StricklandArt Director: Akane YasudaHead of Production: Kosuke Sasaki
Producer: Megumi Wakayabashi
Assistant Producer: Emi Yamashita Grey

and many more...


</description>
		
	</item>
		
		
	<item>
		<title> FINANCIAL TIMES — Ghost-hunting, Tokyo style</title>
				
		<link>https://sybillapatrizia.com/FINANCIAL-TIMES-Ghost-hunting-Tokyo-style</link>

		<pubDate>Sat, 31 Jan 2026 12:04:21 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/FINANCIAL-TIMES-Ghost-hunting-Tokyo-style</guid>

		<description>


	
	&#38;nbsp;
&#60;img width="2200" height="1358" width_o="2200" height_o="1358" data-src="https://freight.cargo.site/t/original/i/1ff94924ffe9cb5abf5e337a9200cea379593268f1a5164eece2e998e3771062/Doubles-Haunted-Tokyo1.png" data-mid="244241579" border="0"  src="https://freight.cargo.site/w/1000/i/1ff94924ffe9cb5abf5e337a9200cea379593268f1a5164eece2e998e3771062/Doubles-Haunted-Tokyo1.png" /&#62;
&#60;img width="2200" height="1358" width_o="2200" height_o="1358" data-src="https://freight.cargo.site/t/original/i/e2880158cef414f1472cfbbaea374dcf8c7ccd03d7b59a326dfcc9d04ba9b8aa/Doubles-Haunted-Tokyo2.png" data-mid="244241580" border="0"  src="https://freight.cargo.site/w/1000/i/e2880158cef414f1472cfbbaea374dcf8c7ccd03d7b59a326dfcc9d04ba9b8aa/Doubles-Haunted-Tokyo2.png" /&#62;
&#60;img width="2200" height="1358" width_o="2200" height_o="1358" data-src="https://freight.cargo.site/t/original/i/8cccf7f814700892d38ec291e734e03d16093d53c1a520688d745b27defa0ae7/Doubles-Haunted-Tokyo4.png" data-mid="244241610" border="0"  src="https://freight.cargo.site/w/1000/i/8cccf7f814700892d38ec291e734e03d16093d53c1a520688d745b27defa0ae7/Doubles-Haunted-Tokyo4.png" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/202e0f0918187a9e1b9f3ba51a0ab28138aa945a8037f5f2cd6427b951a52de0/_DSF7430.jpg" data-mid="244241690" border="0"  src="https://freight.cargo.site/w/1000/i/202e0f0918187a9e1b9f3ba51a0ab28138aa945a8037f5f2cd6427b951a52de0/_DSF7430.jpg" /&#62;
&#60;img width="2200" height="1358" width_o="2200" height_o="1358" data-src="https://freight.cargo.site/t/original/i/edc26f3227ae7b78ffbf2cf6f650dd02c38692d2d15e3660600d78cd881501ac/Doubles-Haunted-Tokyo5.png" data-mid="244241656" border="0"  src="https://freight.cargo.site/w/1000/i/edc26f3227ae7b78ffbf2cf6f650dd02c38692d2d15e3660600d78cd881501ac/Doubles-Haunted-Tokyo5.png" /&#62;
&#60;img width="2200" height="1358" width_o="2200" height_o="1358" data-src="https://freight.cargo.site/t/original/i/ea8edfa42ebb2f5e6ae7a90bde6e7405f24ed5834e42ee49564046e8c35c6d2a/Doubles-Haunted-Tokyo6.png" data-mid="244241684" border="0"  src="https://freight.cargo.site/w/1000/i/ea8edfa42ebb2f5e6ae7a90bde6e7405f24ed5834e42ee49564046e8c35c6d2a/Doubles-Haunted-Tokyo6.png" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/591ef67974bb81c77dc0f2ad4de954be03cc53190a21c21eaa0b2258935695d0/_DSF7336.jpg" data-mid="244241979" border="0"  src="https://freight.cargo.site/w/1000/i/591ef67974bb81c77dc0f2ad4de954be03cc53190a21c21eaa0b2258935695d0/_DSF7336.jpg" /&#62;
&#60;img width="2200" height="1358" width_o="2200" height_o="1358" data-src="https://freight.cargo.site/t/original/i/be9318f1538e91bc6f2c0c3f807234742ca60e5cbf0462c5a9835139c075d945/Doubles-Haunted-Tokyo8.png" data-mid="244241992" border="0"  src="https://freight.cargo.site/w/1000/i/be9318f1538e91bc6f2c0c3f807234742ca60e5cbf0462c5a9835139c075d945/Doubles-Haunted-Tokyo8.png" /&#62;
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&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/42c03c80a2cf67f3cebb97581e3e254257d16240286156e4b91a5ec52da439a2/_DSF8042.jpg" data-mid="244242003" border="0"  src="https://freight.cargo.site/w/1000/i/42c03c80a2cf67f3cebb97581e3e254257d16240286156e4b91a5ec52da439a2/_DSF8042.jpg" /&#62;
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&#60;img width="2667" height="2000" width_o="2667" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c2e4562137b4fe65b5d829fa6f1adc81ff9b1948e20daa1c35b2de74bc9a69e5/_DSF8055.jpg" data-mid="244241660" border="0"  src="https://freight.cargo.site/w/1000/i/c2e4562137b4fe65b5d829fa6f1adc81ff9b1948e20daa1c35b2de74bc9a69e5/_DSF8055.jpg" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2f4152a0c41049a69f191dcc6adc0277e125582050fe721359079b657514ccb8/_DSF7293.jpg" data-mid="244242026" border="0"  src="https://freight.cargo.site/w/1000/i/2f4152a0c41049a69f191dcc6adc0277e125582050fe721359079b657514ccb8/_DSF7293.jpg" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/63b0896060c803b1652c72d80d7d91c4daf61fbaf99eb1908f6885d0047693d4/_DSF7523.jpg" data-mid="244241981" border="0"  src="https://freight.cargo.site/w/1000/i/63b0896060c803b1652c72d80d7d91c4daf61fbaf99eb1908f6885d0047693d4/_DSF7523.jpg" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/28a2436a9900442cb6d279c54486656faad1bd4aa7ba3adfd88d1da20e67dd6b/_DSF8058.jpg" data-mid="244242002" border="0"  src="https://freight.cargo.site/w/1000/i/28a2436a9900442cb6d279c54486656faad1bd4aa7ba3adfd88d1da20e67dd6b/_DSF8058.jpg" /&#62;



	&#38;nbsp;



	Financial TimesGhost-hunting, Tokyo Style2025*See the full article here

	From a cursed road tunnel and eerie vending machines to a haunted shopping mall with a dark past, the uncanny lurks where you least expect it in the Japanese capital .Words by&#38;nbsp;Leo Lewis
Photography by Sybilla Patrizia


	










</description>
		
	</item>
		
		
	<item>
		<title>NOWNESS — Toma Unrestored</title>
				
		<link>https://sybillapatrizia.com/NOWNESS-Toma-Unrestored</link>

		<pubDate>Sun, 28 Sep 2025 00:08:51 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/NOWNESS-Toma-Unrestored</guid>

		<description>
	
	
	


	NOWNESS — Toma Unrestored7 min, 2025︎︎︎Link

	In the Japanese city of Nara, Shingo Sakuma and Jin-Yi Liu have preserved an 18th century Shinto priest family’s residence on the edge of a primeval forest leading to the Kasugataisha Shrine. Now an art space, Toma House has been restored from near-collapse by the Toma family’s descendants, standing with the monumental architecture and spiritual landmarks of Nara’s historic Takabatakecho district, and the forest’s free-roaming deer – said to be sacred messengers of the Shinto gods. While exhibitions, workshops, and artist residencies occupy the space, parts of the property remain untouched, as Shingo and Jin-Yi enlist traditional craftspeople to restore its individual elements.

“Toma House exists in a state of in-betweenness. This film is about what remains unfinished – and how that state of incompleteness gives a space its life. I wanted to explore the emotional architecture. What does it mean to live with the past? And what does it mean to care for a place not as a possession, but as a living being?”
Following a new phase of the project for the short documentary Toma Unrestored, Tokyo-based filmmaker Sybilla Patrizia captures Toma House as a vessel for art, memory, and reverence over the restoration of two sets of fusuma sliding doors, originally painted by Katsuyama Takugan. Centering the quiet power of space as the weathered screens are revived and reinstated, the film studies emotional architecture through the connection to the house in its incomplete state, honoring the living legacy and energy of rooms shaped by time and memory.- via NOWNESS
	Commissioned by 		Takabatake Trust
Featuring:&#38;nbsp;Jin-Yi Liu and Shingo Sakuma	
	Director and Producer: &#38;nbsp;Sybilla Patrizia
Editor:&#38;nbsp;Nanako Kawasaki
Cinematography: &#38;nbsp;Andrzej Rudz
Camera Assistant: Yuya Morimoto
Gaffer: Tetsuya Kusu
Colorist: James Clayton Daniels
Sound Mixing: Kentaro Kimura







	Film Stills:
	
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ab53c3f8664e7e7672315a4aeb1cdea57a54cff068f1a2ac67b93209621afe1b/2025Toma-Unrestored4.jpg" data-mid="238751995" border="0"  src="https://freight.cargo.site/w/1000/i/ab53c3f8664e7e7672315a4aeb1cdea57a54cff068f1a2ac67b93209621afe1b/2025Toma-Unrestored4.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/44fb3be80c8c07d20f3b5730768a6f96b7b2568771cb2054fad53840e323d99d/2025Toma-Unrestored1.jpg" data-mid="238751992" border="0"  src="https://freight.cargo.site/w/1000/i/44fb3be80c8c07d20f3b5730768a6f96b7b2568771cb2054fad53840e323d99d/2025Toma-Unrestored1.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4b2369972081196accf67a0b530411ffbbca7a4c92b5430bc589a2b4ee5611bb/2025Toma-Unrestored9.jpg" data-mid="238752000" border="0"  src="https://freight.cargo.site/w/1000/i/4b2369972081196accf67a0b530411ffbbca7a4c92b5430bc589a2b4ee5611bb/2025Toma-Unrestored9.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/23603d8318dbb9cf4b9dfa45537028ce4fa69ddbbddcfd6ba99fd2a81a32d313/2025Toma-Unrestored12.jpg" data-mid="238752003" border="0"  src="https://freight.cargo.site/w/1000/i/23603d8318dbb9cf4b9dfa45537028ce4fa69ddbbddcfd6ba99fd2a81a32d313/2025Toma-Unrestored12.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/22412dc8fc73f301feb99c4c54f99024cb4f7af8e1c551849e753fd5becfe5a7/2025Toma-Unrestored3.jpg" data-mid="238751994" border="0"  src="https://freight.cargo.site/w/1000/i/22412dc8fc73f301feb99c4c54f99024cb4f7af8e1c551849e753fd5becfe5a7/2025Toma-Unrestored3.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/5562d91e3aaac39a32aaaa8f3376ed3f32405621de1f13fcba774add3cd805df/2025Toma-Unrestored5.jpg" data-mid="238751996" border="0"  src="https://freight.cargo.site/w/1000/i/5562d91e3aaac39a32aaaa8f3376ed3f32405621de1f13fcba774add3cd805df/2025Toma-Unrestored5.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/93c83346a96643a06ed661c7666150956607793de4591c5c48b2d7738c6548e8/2025Toma-Unrestored6.jpg" data-mid="238751997" border="0"  src="https://freight.cargo.site/w/1000/i/93c83346a96643a06ed661c7666150956607793de4591c5c48b2d7738c6548e8/2025Toma-Unrestored6.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4787141b8c7dc7912e297e87e4b8a9bf7c951f4d5af1ed3b4cd862bc50a9bf38/2025Toma-Unrestored7.jpg" data-mid="238751998" border="0"  src="https://freight.cargo.site/w/1000/i/4787141b8c7dc7912e297e87e4b8a9bf7c951f4d5af1ed3b4cd862bc50a9bf38/2025Toma-Unrestored7.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/74c27cbdd22f9e7bf2bdb6f66c64c98bb54d99cf10e2af9be9ba53fe4e4d59b7/2025Toma-Unrestored10.jpg" data-mid="238752001" border="0"  src="https://freight.cargo.site/w/1000/i/74c27cbdd22f9e7bf2bdb6f66c64c98bb54d99cf10e2af9be9ba53fe4e4d59b7/2025Toma-Unrestored10.jpg" /&#62;
&#60;img width="2880" height="2160" width_o="2880" height_o="2160" data-src="https://freight.cargo.site/t/original/i/fea4a896184c2b592fdc8fa7557005812f91e5c8dea5213c5ac95e5128744475/2025Toma-Unrestored11.jpg" data-mid="238752002" border="0"  src="https://freight.cargo.site/w/1000/i/fea4a896184c2b592fdc8fa7557005812f91e5c8dea5213c5ac95e5128744475/2025Toma-Unrestored11.jpg" /&#62;
&#60;img width="2826" height="2120" width_o="2826" height_o="2120" data-src="https://freight.cargo.site/t/original/i/0598e9182e8c36dc2b9f6146b51ab89c4c61e2c11853e3dc8cbd8f58fd0e78bb/2025Toma-Unrestored13.jpg" data-mid="238752004" border="0"  src="https://freight.cargo.site/w/1000/i/0598e9182e8c36dc2b9f6146b51ab89c4c61e2c11853e3dc8cbd8f58fd0e78bb/2025Toma-Unrestored13.jpg" /&#62;

	
</description>
		
	</item>
		
		
	<item>
		<title>matsuri — photo essay</title>
				
		<link>https://sybillapatrizia.com/matsuri-photo-essay</link>

		<pubDate>Sat, 22 Sep 2018 04:46:44 +0000</pubDate>

		<dc:creator>Sybilla Patrizia &#124; Filmmaker and Photographer</dc:creator>

		<guid isPermaLink="true">https://sybillapatrizia.com/matsuri-photo-essay</guid>

		<description>




&#60;img width="1151" height="1535" width_o="1151" height_o="1535" data-src="https://freight.cargo.site/t/original/i/34e4b07eb58915c39377dbfaef2ddb3a7b6bbd2dea5b6e0307097be99db9509d/2018Matsuri1.jpg" data-mid="185215744" border="0"  src="https://freight.cargo.site/w/1000/i/34e4b07eb58915c39377dbfaef2ddb3a7b6bbd2dea5b6e0307097be99db9509d/2018Matsuri1.jpg" /&#62;
&#60;img width="1350" height="1800" width_o="1350" height_o="1800" data-src="https://freight.cargo.site/t/original/i/c20c392a6661dbc1a67a65e66f763d72fc6d2ffc3f547a00cf98b54efd627dd8/000031.jpg" data-mid="218846089" border="0"  src="https://freight.cargo.site/w/1000/i/c20c392a6661dbc1a67a65e66f763d72fc6d2ffc3f547a00cf98b54efd627dd8/000031.jpg" /&#62;
&#60;img width="1350" height="1800" width_o="1350" height_o="1800" data-src="https://freight.cargo.site/t/original/i/af12333f26eb0289463819f2d5cdf681ba3fcf5994eb3d61c1c2b3504edd86f7/000028.jpg" data-mid="218846116" border="0"  src="https://freight.cargo.site/w/1000/i/af12333f26eb0289463819f2d5cdf681ba3fcf5994eb3d61c1c2b3504edd86f7/000028.jpg" /&#62;
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&#60;img width="1350" height="1800" width_o="1350" height_o="1800" data-src="https://freight.cargo.site/t/original/i/21b9aa2cd431ce90a2b6215d12b5570c5917f763c787e3214a829bc0a7740589/2023.08.28-029104-000012-copy.jpg" data-mid="218846091" border="0"  src="https://freight.cargo.site/w/1000/i/21b9aa2cd431ce90a2b6215d12b5570c5917f763c787e3214a829bc0a7740589/2023.08.28-029104-000012-copy.jpg" /&#62;
&#60;img width="1535" height="1023" width_o="1535" height_o="1023" data-src="https://freight.cargo.site/t/original/i/39c6ad0538bd534cc3812660e474fdff39a61855dc12e65b14ae08e63ebe1375/000021.jpg" data-mid="218846083" border="0"  src="https://freight.cargo.site/w/1000/i/39c6ad0538bd534cc3812660e474fdff39a61855dc12e65b14ae08e63ebe1375/000021.jpg" /&#62;
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	MATSURIPhotography Essay&#38;nbsp;2018-ongoing


	

	“Matsuri” is a photographic project that I started in the summer of 2018 after seeing the Shimokitazawa and Koenji Awa Odori in Tokyo, which was my first time seeing such a kind of matsuri festival in Japan. I was deeply moved and felt immediately transported into another world, listening to the drums, singing and watching the dancing of the performers while being surrounded by the hot and humid weather that characterizes Japanese summers.








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